king edward vi 15371553 c16901700 manner of william scrots

King Edward VI (1537-1553), c.1690-1700, Manner of William Scrots.


Price

£9,850
| $13,116 USD | €11,161 EUR


Item Number

9033

Description

Oil on panel in an 18th century frame.
'The image is unusual, broadly similar but not quite the same as the various 'Scrots' templates. However the identical image, same size, panel, etc is in the collection at Trinity College, Cambridge.' Richard Grigson.
As an official royal likeness portraits of this type were in circulation from circa 1550 and were particularly favoured by noble families who wished to demonstrate their allegiance to the monarchy. This portrait was almost certainly one of a group of corridor portraits designed to hang beside fellow monarchs and men and women of rank and historical note.
EDWARD VI (1537-1553) was King of England and Ireland from 28 January 1547 until his death. He was the only legitimate son of Henry VIII and his third wife, Jane Seymour. He was born at Hampton Court on October 12th, 1531, His mother dying 12 days later. The heir to the throne, ''His Majesty's most noble jewel'', was brought up with every precaution to ensure his good health. Recent research reveals him as a normally strong and healthy boy, fond of athlethic exercises such as hunting and hawking. Edward was little more than nine when he succeeded to the throne on the death of his father in 1547. In April 1552 he suffered from measles and smallpox, recovering by the end of May, and thereafter he was very much under the influence of the Duke of Northumberland. Early in 1553 Edward became ill with consumption, from which he never recovered. At this time the Duke of Northumberland convinced Edward to ''devise'' the succession to Lady Jane Grey, Northumberland''s daughter-in-law. Edward died on 6th July 1553 and was buried at Whitehall.
After his accession to the throne, Edward appears to have sat only once more for his portrait in around 1550 and was painted by William Scrots. This sitting was the likely source for all subsequent variants, in all shapes and sizes, produced of Edward as the King by the Scrots studio, both during the monarch's brief reign and after Elizabeth I's accession and the subsequent re-affirmation of the Protestant faith. Scrots had been court painter to the Regent of the Netherlands, Mary of Hungary , and was recruited by Henry VIII as Holbein's successor at the close of 1545. His work, covering less than 10 years in this country, has never been satisfactorily reconstructed. One certain work can be associated with him from this period - the distorted perspective portrait of Edward dated 1546 (National Portrait Gallery, London). This bore the signature ''Guilhelmus pingebat'' as late as 1713.
WILLIAM (GUILLIM) SCROTS fl.1537-1553. Court portrait painter from the Netherlands. Painter to Mary of Hungary, Regent of the Netherlands,1537, and persuaded to come to England in 1545, probably to succeed Holbein. He was perhaps the most able available Hapsburg Court portrait painter at the time. He disappears from the Royal Accounts in 1553.
SIZE: panel size 15.75 x 11.75 inches.
framed size 23 x 19 inches.
PROVENANCE: Charles James Toovey Esq., Harley House, Regents Park, London.
With Leggatt's, London, by 1929. Sold for 29 to Captain A.S. Wills (1879-1961) of Thornby Hall, Northamptonshire;
then by descent through the family at Middleton House, Longparish, Hampshire.
Internal Ref: 9033


Dimensions

Height = 58 cm (23")
Width = 48 cm (19")
Depth = 5 cm (2")


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