Charles II carved walnut chair c.1675-85.

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This is a fine chair of its type, the carving of better quality than is usual; this is fluid and accomplished. The walnut is of good colour and patination.
This style of cane backed and seated chairs had represented a revolution in seating comfort, but with the disadvantage of fragility.
A surprising number of these chairs still exist (they were made in their thousands) but many are now suitable only for decorative purposes as woodworm, frequent recaning and damage to the joints and the tall backs have rendered them virtually unusable.
This one has had its cane seat replaced and there is a small damage in the caned back. The chair is absolutely firm and steady, completely ready to use in a normal way.

DIMENSIONS: 45 inches tall, 20 inches wide, 18 inches deep.
PROVENANCE: In the Private Collection of a now retired Suffolk antiques dealer for the last 50 years. There is an old exhibition label under the seat which reads "Cambridge - Lent by A.S.F. Gow M.A. Trinity College 1941. Walnut chair 'English' period of Charles II"

James II walnut armchair c.1685.

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An elegant walnut armchair of the James II period, c.1685, tall and graceful, this was an important new stage in English chair design.
This style of cane backed and seated chairs had represented a revolution in seating comfort, but with the disadvantage of fragility.
A surprising number of these chairs still exist (they were made in their thousands) but many are now suitable only for decorative purposes as woodworm, frequent recaning, and damage to the joints and the tall backs have rendered them virtually unusable.
This is not the case with this one. This chair, over 300 years old, with its glorious sculptural quality, is not just a joy to look at but can also be used, although care should be exercised as with all chairs of this type and age.
As usual with these chairs there are signs of old woodworm, but now defunct.
The crest rail is carved with a shell … a very fashionable motif of the period ..., this, and the front rail, are deftly executed with bold cuts of the chisel. This is typical of the sort of carving performed by London chairmakers at this period, by which maximum effect is achieved with the minimum of work.
DIMENSIONS: 47 inches tall, 23 inches wide, 25 inches deep.
PROVENANCE: Herefordshire private collection for the last 25 years.

17th c. studded leather bound chest on ...

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An impressive Spanish leather bound and brass studded domed chest on stand.
This highly decorative and rare 17th century coffer has the original iron carrying handles, ring and pin hinges and hasp and lock plate. The two piece stand was to keep the bottom of the chest off damp stone floors.
Usually dome-topped chests need to stand well away from a wall to open, but this one is hinged two thirds of the way across the dome top and thus can stand flush with a wall.
The sides and back are covered in plain, thick hide.
This is an item that would protect its contents when travelling...the curved leather top shedding any rain water, yet clearly was highly decorated to use as a functional ornament in a great house, probably in the hall.

SIZE: 50 inches wide, 22 inches deep, 33.5 inches tall (on stands), 26 inches tall off stands.
PROVENANCE: A Northern England private collection.

George III Chippendale period mahogany chair c.1760. ...

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A fine quality 18th century mahogany chair combining Rococo and Gothic motifs.
Beautiful crisp carving, excellent colour, the best quality dense mahogany and totally sound.
The seat is covered in good quality black hide.

Thomas Chippendale born at Otley, West Riding of Yorkshire, born 1718 – died 1779) was a London cabinet-maker and furniture designer in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs, titled "The Gentleman and Cabinet Maker's Director". The designs are regarded as reflecting the current London fashion for furniture for that period and were used by other cabinet makers outside London.

DIMENSIONS: height 39 inches, width 21.5 inches.
PROVENANCE: Private Collection, Cambridgeshire.

Oak side table c.1690-1720 and later.

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This very attractive side table may have started life as the base of a 17th century chest on stand, as time passed, chest and base were often separated.It is a lovely colour, patina and of excellent proportions. The top is later, the drawer has been rebuilt and the ball feet are replacements.
The original brass escutcheon suggests a lock, but there has never been one; locks were very expensive and on country furniture they were not always fitted. The ends are panelled.
Clearly, this is not a piece for the purist collector, but it is a 300 years old piece of furniture that is beautiful, useful and sensibly priced.

SIZE: 39.5 inches wide, 23.5 inches deep, 30 inches tall.
PROVENANCE: Oxfordshire Private Collection.

Walnut bureau c.1730.

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An unusually small early 18th century walnut bureau, with fine veneers, excellent patination and beautifully faded.
The sides are pine, of a good colour and, unusually and pleasingly, have not been later veneered.
Drawer linings are oak with fine dovetails; escutcheons original but the handles are later replacements of the right type.
Obviously there are one or two old damages after 300 years, but nothing significant..a small piece of veneer missing from the right hand back corner of the top; not easily seen.
The strength of this piece lies in its small size, colour and patination; it really is a joy.
There are keys for the fall and the little door within the bureau.

SIZE: 35.75 inches wide, 39 inches tall, 19 inches deep.
PROVENANCE:Old Nottinghamshire Private Collection.

18th c. French gateleg dining table

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An unusual large 18th c. double gated dropleaf French farmhouse table in chestnut of lovely colour; probably from Gascony. The split baluster legs open as supports for the leaves. Dummy drawers at each end.

Size; height 32 inches, width 50 inches, depth 82 inches open (27 inches closed).

Provenance; Private Collection, North Yorkshire Dales


Queen Anne/George I walnut bureau c. 1710/20. ...

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A good quality early 18th century walnut bureau of excellent colour and patination with fine figured veneers, cross banding and stringing.

The bureau has a lovely interior with a false floored secret compartment behind the door and two further secrets which are accessed by removing the drawers adjacent to reeded pilasters which flank the door; a concealed spring (one each side) can then be pressed which causes the bottom of the pilaster to slide forward and reveal a secret drawer (again one on each side). Such is the quality of this piece than even the secret drawers, not usually seen, are finely veneered.
(see images 4, 5 and 6).

The engraved brasses are original as are all the oak drawer linings.
Condition is excellent, although inevitably, after 300 years of use, there have been a few small areas of veneer repair and some scratches to the fall.

DIMENSIONS: 39.25 inches wide, 40.25 inches tall, 19.5 inches deep.
PROVENANCE: Private Collection, West Country, England.

Carved and giltwood chair(s) [priced individually]

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Carved and gilt armchair upholstered in the original tapestry. !8th c. French Louis XV style made in the late 19th c / early 20th c .
Very decorative and surprisingly comfortable; in unrestored 'country house' condition - some wear to the material and gilding.
There are two of these chairs which may be bought singly or together.



James II walnut armchair c.1685.

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A walnut armchair of excellent quality c.1685, in perfect condition, the walnut of good colour and patination, recently expensively, and appropriately, re-upholstered.
This beautiful chair, with the then newly fashionable 'os de mouton' or 'horsebone' front legs, has marked similarities to the pair made by Thomas Roberts, carver and joiner to the Royal Household, for James II (now at Knole). Roberts held this important position throughout the reigns of James II, William and Mary, and Anne. His name has become almost synonymous with the elaborate walnut chairs and stools of the period, carved with ‘mouldings and foldings’, as they are often described in the accounts. Their scrolling arms and stretchers, also referred to in the documents as ‘horsebone’, seem to derive from Flemish and Dutch prototypes in the so-called auricular style.
This chair is not just a piece of usable and functional furniture, but is also a lovely Baroque work of art redolent of its period.
DIMENSIONS: 41.5 inches tall, 24 inches wide, 26 inches deep.
PROVENANCE: South West England private collection.

Late 17th/early 18th c. stool.

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An oak stool, late 17th/early 18th century, with uphostered seat. Good colour and 'crusty' patina.
Oak legs and stretchers, pine top rails.
Condition: Good.
Dimensions: 13x13x23 tall (inches)
Provenance: Yorkshire Private Collection.


George III mahogany corner cupboard c.1770.

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A floor standing mahogany corner cupboard c.1770, with exceptionally fine figuring and colour and shaped shelves to the interior.
The cornice is later as are the 'returns' to the sides which have been shaped for skirting boards. Originally the cupboard may well have been built into a grand house.
An extremely handsome and useful piece of furniture.

Size: 81 in. tall, 44 in. wide.
PROVENANCE: Sussex Private Collection.
Yorkshire Private Collection.